Dear Amelia, it was great to have had you on board at the Reeperbahn Festival International. Was great to see you asking questions and being talkative on the sessions, that surely enhanced the community feeling for the whole delegation!

We are glad that we successfully purchased the license for the song Silentó - Watch Me (Whip/Nae Nae and very happy with the results of your work. With thanks for our fruitful cooperation during the past year, and look forward to continuing our joint success in 2021'

Amelia McCloskey became the music supervisor on my feature film "Laced Silk", for which she not only selected and licensed music but made the connection to composer Matt Stewart-Evans who composed the soundtrack of the film. The conversations were always friendly, professional, and fast. Amelia helped wherever I needed her support. I'm thankful for the relationship we built and for the time and trust, Amelia put into me and my film.

''In March, through the MIDEM Digital platform, we started a new journey for the internationalization of the Music Professionals Award, and more specifically its sixth edition, in which we had the honour of hosting Amelia and AM Licensing. Representing a great partnership between two giant countries that have been privileged to have so much to offer when the subject is music. Amelia's participation unfolded on two very valuable fronts. The first, by presenting a recorded solo lecture, where Amélia could talk to our audience, from Brazil and the world, about AM Licensing and the magnificent work that she leads and organizes in the Synchronization and Distribution market for great cinematographic works, both in England and in other corners of the planet. The second one was materialized by the realization of a live panel, with remote transmission to more than 300 people simultaneously, directly from the National Stadium in Brasília, where Amelia could receive, as mediator of the panel, friends, business partners and brilliant colleagues to discuss and unravel the theme: Distribution and Digital Synchronization; with several deltas of the theme being approached and talked about, by guests with plenty of experience in the subject. Her participation was historic. We hope to welcome Amelia and her guests again not only for the Music Professionals Award, but for any projects or plans that may involve us again in a space made exclusively for Music Professionals. ''

''In March, through the MIDEM Digital platform, we started a new journey for the internationalization of the Music Professionals Award, and more specifically its sixth edition, in which we had the honour of hosting Amelia and AM Licensing. Representing a great partnership between two giant countries that have been privileged to have so much to offer when the subject is music. Amelia's participation unfolded on two very valuable fronts. The first, by presenting a recorded solo lecture, where Amélia could talk to our audience, from Brazil and the world, about AM Licensing and the magnificent work that she leads and organizes in the Synchronization and Distribution market for great cinematographic works, both in England and in other corners of the planet. The second one was materialized by the realization of a live panel, with remote transmission to more than 300 people simultaneously, directly from the National Stadium in Brasília, where Amelia could receive, as mediator of the panel, friends, business partners and brilliant colleagues to discuss and unravel the theme: Distribution and Digital Synchronization; with several deltas of the theme being approached and talked about, by guests with plenty of experience in the subject. Her participation was historic. We hope to welcome Amelia and her guests again not only for the Music Professionals Award, but for any projects or plans that may involve us again in a space made exclusively for Music Professionals. ''

Amelia made contact with me and we forged a friendship that eventually led to work on my short film "the Polycees". She quickly and capably found a selection of composers in her stable and identified which to provide taster links for the film. I was thrilled to be linked with composer Kimberly Hou and we worked through composition and licensing thereafter.

''Super grateful for AM Licensing believing in our work. The license of the record ''Move Your Feet'' on Netflix ''Élite'' gave significant traction to the song and the project included features on major blogs such as ''Screenrant'', ''IGN'', ''Oprah Magazine'' and over 300k streams cross-platforms and entries on I Tunes top 100 in LATAM and Spain. In general placed the collective among Billboard level artists, raised the overall profile and helped gain a new fanbase and supporters for Destabilized."

''Super grateful for AM Licensing believing in our work. The license of the record ''Move Your Feet'' on Netflix ''Élite'' gave significant traction to the song and the project included features on major blogs such as ''Screenrant'', ''IGN'', ''Oprah Magazine'' and over 300k streams cross-platforms and entries on I Tunes top 100 in LATAM and Spain. In general placed the collective among Billboard level artists, raised the overall profile and helped gain a new fanbase and supporters for Destabilized."

"Amelia was fantastic in recommending my music and subsequently connecting me in a timely and informed manner with the Director. Her networking and communication were absolutely invaluable in bringing about a very successful creative collaboration for the Laced Silk film project, with a resulting film score that we're all extremely pleased with. I found Amelia to be extremely professional and responsive throughout the all-important early processes where her input was most valuable, and there's no doubt she was instrumental in bringing the right people together to get an excellent collaborative result."

"Amelia was fantastic in recommending my music and subsequently connecting me in a timely and informed manner with the Director. Her networking and communication were absolutely invaluable in bringing about a very successful creative collaboration for the Laced Silk film project, with a resulting film score that we're all extremely pleased with. I found Amelia to be extremely professional and responsive throughout the all-important early processes where her input was most valuable, and there's no doubt she was instrumental in bringing the right people together to get an excellent collaborative result."

Working with Amelia McCloskey and AM Licensing was an enriching experience for the team of Francesca Scorsese’s latest film, Fish Out of Water. Amelia presented us with a diverse array of creative, dynamic choices and was able to redirect her searches for music to license in a timely manner as the director gave notes. Besides being a clear communicator, Amelia was well organized and prepared. Throughout the process of finalizing our choices for music we wanted to license, we felt like all legal and logistical matters would be covered through her thorough knowledge and contracts. We are very excited about the music we were able to find through her and are very grateful to Amelia for connecting us to the talented Kimberly Hou. Through original works and licensed music, the artistic vision of Fish Out of Water was able to be realized in a deeper, more compelling manner. Thank you Amelia!

I met Amelia at Cannes in 2022. She is the music supervisor for my next film and she did a magnificent job. Through her I got to know an excellent composer and I can say that the result was a very powerful and sensitive work. Thank you so much, Amelia. See you on a next project.

Amelia made contact with me and we forged a friendship that eventually led to work on my short film "the Polycees". She quickly and capably found a selection of composers in her stable and identified which to provide taster links for the film. I was thrilled to be linked with composer Kimberly Hou and we worked through composition and licencing thereafter.

I've been working with Amelia since May 2021 when I engaged her as a coach. During that time she's led me through the many improvements we made to my website, social media presence and time management. She's also given honest and constructive feedback on my music to help me identify and focus on my strengths. As a result of working with her I landed my first music placement in a film, for which I'm extremely grateful. Amelia is a pleasure to work with - professional, easy to talk to, dedicated, and extremely knowledgeable about the music sync business. Her networking and social media marketing expertise is considerable and she's a patient guide to that world as well. I highly recommend Amelia as a coach and licensing agent, and I hope that we'll continue to work together on future projects.

Amelia McCloskey became the music supervisor on my feature film "Laced Silk", for which she not only selected and licensed music but made the connection to composer Matt Stewart-Evans who composed the soundtrack of the film. The conversations were always friendly, professional, and fast. Amelia helped wherever I needed her support. I'm thankful for the relationship we built and for the time and trust, Amelia put into me and my film.